The unit can be used as a standalone system on a music stage, in a studio, in an orchestral pit, behind a goal, within a conference venue, or a remote location such as a golf course or a race track corner; providing an unobtrusive camera position – great for the spectators whilst not interfering with the artistes, musicians, the player’s action, presenters or the sequence being shot.
Each AutoPod elevation unit is supplied with a universal camera mounting plate providing the ideal platform for your chosen object to be mounted to. The system also includes a set of “quick release in-line mounting and locking plates” which enables speedy power and data connections via XLR’s, rapid deployment and also enables the individual units to be stacked upon each other 2 units high providing greater height to be achieved whilst maintaining a low profile.
Additionally, the supplied set of 2x “upstands” can be used to increase elevation height, these are 250mm long and can be stacked accordingly as required.
Future upgrade paths for network connection and variable speed control are anticipated for release middle of 2019
All that an Autopod does BUT a WHOLE HEAP MORE!!!!
Elevation range 55cm to 125cm with payloads up to 35kg (option for 2nd elevation unit to increase range)
Programmable positioning (multiple recall) and speed control with for pedals. Ethernet or serial and connects to Panasonic PTZ desk such as the RP50/120/150 with AW protocol.
Up to 5 PTZ domes on a T-Bar mount.
100mm bowl and bowl adapter.
Lightweight and portable – packed into 1 single roll-along transport case
Modular design allowing an additional elevation unit to be mounted
Product dimensions and weights:
Length – 55-125cm (single elevation) and 110-250cm (double elevation)
Width – 11cm
Height – 6cm
Weight – 14kg (single elevation) and 19kg (double elevation)
Length – 82cm
Width – 56cm
Height – 33cm
Weight – 28kg (single elevation) and 37kg (double elevation)
DOWNLOAD SPECS PACKAGE
Online FlipBook – Autopod Operators Manual